Take us back to Rajasthan—when did songwriting first feel inevitable for you?
I’m Abdul Kadir Ali, and I’m from Rajasthan. I started writing songs when I was around 10 years old, mostly from my feelings and the things I was living through at the time. A lot of people—especially friends—made fun of me and didn’t take the dream seriously. But instead of letting that stop me, I used that pain as motivation to keep going. I didn’t have big support around me. I just had my passion, my pen, and a belief that my story could become music. Even today, I’m still writing, still learning, and still chasing this dream—this is only the beginning for me.
What do you remember most about putting your first original song, “Tera Pyaar,” out into the world?
For me, the real beginning was 15 July 2025—the day my first song, “Tera Pyaar,” went live on my YouTube channel, Azmaish Beats. At that time I had zero audience, almost no support, and honestly no proof that anyone would even listen—yet I still believed in the dream. The song was sung by Arif Khan, who isn’t just a relative; he’s like a real brother to me. When others didn’t believe in me, he stood with me and gave his voice to my words, and I’ll always respect him for that. The reaction in the beginning wasn’t easy—there was a lot more laughter and criticism than appreciation. But that experience taught me something important: big dreams often start in silence, without applause. “Tera Pyaar” wasn’t just my first release—it was my first risk, and my first step forward.
Looking back, which part of your craft has grown the most for you, and how did you build it?
The skill that has grown the most for me is songwriting—especially writing lyrics that carry real emotion. I don’t try to write “just words”; I try to write feelings, because every lyric comes from my experiences and my truth. Over the past few years, I’ve written many songs straight from the heart, and every song has taught me something new about structure, storytelling, and how to express pain or memories in a simple way. The more I write, the more I understand myself—and that naturally improves the work. Along with lyrics, I’m also practicing singing. My goal is to reach a point where I can sing my own songs too—so my words don’t only live on paper, but in my own voice.
What are you creating right now, and where is it at in the process today?
Right now I’m working on an emotional song called “Yaad Reh Gaye.” It’s a Hindi-Bagdi sad song inspired by old school life—those simple days, real friendships, and memories that don’t fade even when time moves on. This song is very close to my heart because it comes from genuine memories—lost connections, innocent love, and the feeling that some parts of the past stay alive inside you. My focus is to make something people can truly feel, not just hear. After I complete this one, I’ll move into another big single. I’m putting my dedication and honesty into every step, and I’m also continuing vocal practice so that, in the coming time, I can present more songs in my own voice.
Which visual clip best represents your current style, and what did you personally handle in it?
In these clips, I handled the lyrics and the composition. I chose them because they represent the emotional direction I’m building with Azmaish Beats—music that feels personal, rooted, and honest. Even in short visuals, I want people to hear my identity as a writer: simple lines, real feelings, and melodies that stay connected to where I come from. For me, these clips are a snapshot of the sound I’m growing into right now.
Show us a page from your lyrics, and tell us why that language was the right fit for the emotion?
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These lyrics are written in Hindi-Bagdi. I chose this language because it’s the most natural way for me to express what I truly feel—especially when the emotion is deep or personal. Hindi-Bagdi also helps the story feel more real and closer to my roots. And at the same time, it’s a language mix that many listeners can still understand and emotionally connect with, even if they’re from different places.
Where does Rajasthan’s folk flavor show up most clearly in your music, and how do you blend it with a modern pop feel?
I’ve always believed music is not just sound—it’s identity. Being from Rajasthan, I’ve felt connected to our desi folk emotions since childhood, so I try to keep that regional soul present in my songs. What I bring from folk is the raw feeling: small-town emotions, village simplicity, real friendships, the pain of love, and the beauty of memories. Then I blend that with a modern approach so the song still feels fresh and today’s listeners can connect with it. My goal is to represent my soil and my people through my work, and to show that even artists from small places can create something meaningful if they stay true to their roots.
Walk us through this behind-the-scenes moment—what are we hearing, and what were you building in that session?
This is a raw vocal take from my upcoming song. In that moment, I was focused on capturing the emotion and the correct feel of the melody before moving toward a more final version. I like listening back to raw vocals because they show me what’s working emotionally and what needs improvement. It’s a simple but important part of my process—first I lock the feeling, then I build everything else around it.
When you think about your cover art, what mood are you trying to create before anyone even hits play?
For me, cover art is the first emotion a listener feels—before the music even starts. I try to keep the visuals connected to the song’s mood, so the audience can understand the feeling at a glance. These covers are meant to represent the emotional world of the songs—loneliness, lost love, silence, memories, and that kind of deep sadness that many people carry quietly. If the visual matches the emotion honestly, it naturally attracts the right listeners.
What does your recording setup look like right now, and what are the essentials you rely on most?
Right now my setup is very simple—I mainly have just my laptop. That’s the one essential I rely on for everything: writing, composing, and building early demos. Because my tools are limited, I try to make my strength the songwriting itself—strong lyrics, clear emotion, and honest ideas. As I grow, I want to add more proper studio essentials, but at this stage I’m focused on creating consistently with what I have.
Tell us about Azmaish Beats—what does this logo represent, and what pushed you to start your own label so early?
This is the logo of my label, Azmaish Beats. Starting it early came from a very real reason: other music labels weren’t interested in releasing my songs because I was a new artist. So I decided to build my own platform instead of waiting for permission. Azmaish Beats is my way of keeping control of my work and giving my regional sound a home—especially music that comes from Rajasthan’s culture and emotions. For me, it’s not just a label name. It’s a promise that I’ll keep releasing honest songs, keep improving, and keep representing my roots with pride.
Contact and Follow
Name: Abdul Kadir Ali
Email: abdulkadirali550@gmail.com
Instagram: https://www.instagram.com/abdulkadirali.official
YouTube: https://www.youtube.com/channel/UCAXZKD26jFmGa7miFJuXhjA
